Oregon
Literary
Review
Vol. 2, No. 2

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Ronnetta Fagan
THE OLD NEIGHBORHOOD
A Personal Essay


I miss the taste of food, food like I used to eat as a kid.  Really, I miss the longing for the taste of that food, the food I used to have at Mammaw and Willie Lee’s house.

 

When I think of that food, I think of chicken or catfish shaken in a wrinkled brown bag filled with spiced cornmeal flour and dipped in hot grease in a hot iron skillet by my grandfather who I called Willie Lee, said Willee all in a rush, who sat on a yellow vinyl backed stool because his legs were bad.  Willie Lee always had that stool around; he was a cripple, no pc words in that house.  And I would stand right there beside his yellow stool and wait for the food hot off the stove, so hot you could barely stand it on your tongue but so good you couldn’t wait, nevermind the burning.  We didn’t bother with plates and forks much. 

 

Same thing with Mammaw, who was Willie Lee’s mother, my great-grandmother.  In general, she left the cooking to her son; this was their arrangement in that little red and white house for the five decades that they shared it.  But Mammaw did breakfasts because Willie Lee didn’t do mornings.  And Mammaw did special things like skillet toast and homemade donuts, which is what I’m remembering now.  Balls of fried dough taken from a vat of popping grease then rolled in powdered sugar and handed down to my short, eager kid self. 

 

Country food from country people.  Food you’d called tasty, nothing healthy or wholesome about it.  I don’t remember a lot of side dishes and square meals.  Nearly everything was fried and we partook of the various and sundry parts of the hog, the cow and the fish.  And there was iced tea by the buckets with fresh mint grown out back for as long as Mammaw was able to stoop down to pick it.

 

I used to hate her backyard – hated the outdoors in general.  Full of bugs, chiggers and mosquitoes, Texas sized mosquitoes that had a special love for my skinny legs and arms and thin, weak blood.  I hated the smell of dirt, hated sweat running down the back of my neck.  So of course I hated working in the yard, rooting in the soil, pulling up turnip greens.  Hated especially the tall, tall pecan tree with its interminable nuts.  No end to them to pick up, to sort, to wash, to shell – the misery of that pecan tree, that nut dust that gets under your nails and up your nose.  The old shed in the backyard with its dark and horrible odor of generic brand insecticide, rat poison, roach spray – poisons we were too ignorant to worry about back then.

 

Each time it was ‘working in the yard’ day, I always found a way to creep into the shade of the cement steps out back of Mammaw’s house.  I’d pull out the book I was involved in – I don’t know where I’d stashed it – and read.  I was never brazen enough to actually go all the way back inside the house.  That would have been disobeying outright.  This was taking a break, dragging my feet a bit. 

 

Mammaw took it as a sign of my great and inexorable retardedness that I chose a book over the yard, that I in fact seemed only to want to read.  She and Willie Lee used to call back and forth to one another in that little house – Willie Lee rarely left his bedroom and there were few closed doors in that house – and hold forth on the subject of my retardedness.  Willie Lee’s exaggerated annoyance would answer Mammaw’s call.  What Mae?  I never heard him call her mother. 

 

Mammaw would ask her standard question.  You think she could be retarded, staring at them books all day long, just turning the pages.  With a great gust of expelled breath, Willie Lee would always answer her back, Naw, Mae.  Ain’t nothing wrong with that girl. 

 

During these debates, I’d be turning pages as Mammaw called it, not bothering to listen to a conversation I knew by heart.  Later, when I tested well above grade level in school, my reading skills became a source of great pride to Mammaw.  Once she knew for sure that I wasn’t just turning pages but actually reading, she went out and bought me an illustrated children’s Bible.  I had to stand and read long passages from that anodyne translation for the entertainment and edification of Mammaw and her friends – the old ladies who came to play dominoes at Mammaw’s house – Effie Mae, Flossie, Opalean.  But none of this ever got me out of backyard duty, which always ended up with me sitting on the back stoop.

 

One of the odd features of Mammaw’s house, which I didn’t think was odd at the time, was that it had two back doors – one off Mammaw’s bedroom and the other off Willie Lee’s.  Mammaw never used her backdoor, even to get to the backyard and Willie Lee never used the front door that I ever saw.  Mostly late at night or early, early in the morning, depending on how you tell time, Willie Lee came and went through that back door on his twisted legs, on crutches, able to drive but not stand. 

 

I never thought to ask how his legs came to be that way after the first childish Why Willie Lee’s legs all twisted up? 

 

He had a bad accident baby. 

 

Even at that age, I had enough sense of the secret language of adults spoken in the drift of a shoulder, the lift of an eyebrow, the set of a lip, not to press any further.  Maybe it had been an accident.  Maybe it had been an almost lynching.  Maybe it had been a car wreck.  Maybe it had been an awful day down at the saw mill/cotton gin/lawnmower part factory.  Maybe it had been a birth defect.  Maybe it had been polio.  Maybe it had been a doctor come too late, too little, or not at all.  What I do know is that it was a well-worn chapter in the long, long story of a black man’s life.  A story they thought I was too young to be told.  A story not to be spoken aloud at any age but known by all the kind of people I knew then.  Country people.  Colored people. 

 

Mammaw, with her son Willie Lee in tow, had followed her husband Brady from the tenant farms of east Texas’ piney woods to the Big D, Dallas and the bright lights. Back when I was a little girl in the early seventies, Mammaw’s south Dallas neighborhood was just showing the cracks and strains of urban blight.  But it still held a web of neighbors, kinfolk, friends and enemies who had made the migration from farm to town too.  I remember sitting on Mammaw’s front porch every afternoon after she’d returned from her work cleaning houses.  Mammaw, my little sister and myself would sit on her rusty, punched metal porch swing taking swigs of minted iced tea out of big plastic tumblers in the shaded Texas heat. 

 

As neighbors ambled by on foot or by car, they’d call out to us or honk the horn. Mammaw would shake out the pages of her newspaper - she loved the obituary section and the woebegone tales of five alarm apartment fires, drugged or drunken sons robbing their mothers while they slept – and give a nod or wave back.  There goes your Cousin Joe Joe as he passed in his burnt orange Volvo.  I remember how Cousin Joe Joe would stop sometimes and take my sister and I for a ride to the store and let us pick out lemonade flavored Popsicles and eat them in the orange plaid shabbiness of his backseat.  It was a true treat since Mammaw believed in feeding a child well but didn’t necessarily hold with or even know about newfangled things like lemonade Popsicles.  

 

On some afternoons, we’d all stroll down a couple of blocks, waving and nodding to neighbors ourselves, until we got to Aunt Josie’s house, Mammaw’s sister and Joe Joe’s mother.  We would have minted iced tea, same as at home, the only difference being that Aunt Josie’s porch on her little gray and white house was screened.  Otherwise, the ritual was the same.  Sometimes, our Cousin Michael, Aunt Josie’s other son, would come through – he lived in the house but was seldom around.  His would become a story of the kind Mammaw liked to read aloud from her afternoon paper, shaking the pages and shaking her head in time, muttering Mmmm, mmmm, mmmm.  My husband and friends say I make the same sound, especially when I’m on the phone getting bad news or commiserating with a friend over some everyday misfortune.

 

 

 

When I think of how Willie Lee died, in the back bedroom, dank, close, stale, I imagine it stank.  He hadn’t gotten out of bed for weeks, months.  No more midnight rides with his blues singing, beer loving buddies.  He was feeling poorly.  No, he did not want a doctor.  Country people didn’t consult doctors for every little ache and pain or bump in the night.  Aches and pains and bumps in the night were to be expected.  Life.  But I knew none of this.  I was away at school.  This time getting a law degree in yet another cold, white, distant state.  I was busy learning to eat sushi and cannoli, to read case law, to be angst ridden.  I was on spring break in Europe, maybe Paris, when Willie Lee died.  So all of this I got secondhand.

 

I came back from spring break to my studio in the miserable Ann Arbor cold from the somehow not miserable cold of Paris.  I still can’t wrap my mind around spring in a place that is still so cold.  I hadn’t factored that into my uninformed anticipation of seasons.  I thought winter would be a magical, snowy Frosty-come-to-life affair, not the six, seven month drawn out slush, ice, sleet dirty misery that it was.

 

I came back to this missing hot grease and hot sun so badly but not aware enough, not honest enough, not adult enough to say so.  Laughing with my friends around my studio sized kitchen table, hitting play on my answering machine – blah, blah, blah, erase, erase, erase and then my mother’s voice everywhere in the room, a voice I hadn’t expected to hear, had never heard on my answering machine, had never heard on my phone:

 

 I don’t know where you are

Funny.  I could say the same thing about you.

        or how to reach you

See above.

        I just don’t know what else to do.  Willie Lee is dead.  The funeral is Wednesday.  I don’t know if this will reach you where you are. Oh what to do!

 

Always the flair for the dramatic.  At least something’s the same in a world I thought would always have a Willie Lee and a Mammaw in a little red and white house, bickering, loving, cooking hot food in hot grease on a hot stove.  Of course, I knew it couldn’t be.  They were old when I was born.  Had always been old in that way you take for granted as the ways things are.  But to me they were frozen.  We didn’t celebrate birthdays for them – as country, colored folk, they weren’t in the habit of cakes and candles every time another year passed.  I don’t think I even knew Willie Lee’s birth date until I saw it on his death certificate.  And Mammaw, well her birthday was easy, New Year’s Day, but she’d never give up how old she was, which birthday exactly it was (and she kept her hair dyed jet black up until the last five years of her life).

 

All of a sudden, I was dead serious, not laughing with my friends anymore.  My mother’s voice always had a way of doing that to me – freezing me up – whenever, wherever, whatever.  Shhh! I said.  My grandfather is dead.  Well that can kill a good time like nothing else can.  My friends scattered to the four winds.  I was left alone to deal with my mother’s voice on my answering machine. 

 

She was in fine form.  The dutiful daughter taking charge, making arrangements, calm yet poignant.  It was the role of a lifetime.  She deserved an Oscar for this performance.

 

All the way back on the plane and then back to school and through the years, I’ve carried the thought of Willie Lee dying slowly in that dark (he never pulled up the shades and after fifty years, they didn’t work anymore) back room.  No more hot grease catfish.  He also made a mean pimiento cheese sandwich on white bread or saltines, which is to this day my all time buck-up-the-sky-is-falling food. 

 

By the time Willie Lee agreed to go to the hospital, or was too weak to protest anymore, cancer had spread to almost every part of his body.  All of this told to me in full histrionic by my mother-when-it-suited-her.  I listened in numb horror. It was like that time in seventh grade after reading about Anne Frank.  They made us go to a Holocaust exhibit and then crammed our entire class inside a real Nazi freight car and then made us look at the awful photos of the camp victims.  Poor, poor Anne.  So terrible you couldn’t even feel it, couldn’t even feel sorry for them, the terribleness and your sorry-ness for them passed over into something like dread, then distaste, then disdain and finally disinterest.  This is the truth if anyone will bother to tell it to you.  It’s the only way we have of remaining not crazy as hell.  Otherwise, you’d lose your mind at how the world is.  All I wanted was to get out of that car, away from the bodies of my classmates, away from those pictures.

 

But how do you feel when it’s your own flesh and blood?  I wanted to shake my mother and scream at her: But you were here.  You were here.  How could you let him suffer like he must have?  How could you stand by and do nothing for him?  But then the next thought was – how could I?  Where was I?  How could I let him suffer like that?  Willie Lee died slow, rotting from the inside out as the cancer spread through his always lean frame that was Auschwitz skinny by the end.  His death certificate reads “metastastic cancer, unknown origin”.  The official sounding words are empty.  What they mean to say is that we don’t know exactly what killed him, when it started or where, how long it took, just that the cancer is everywhere and he’s dead now.  Next, please.

 

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