Cast
CHARLIE
VIV
MARTIN
MARTINA
Settings
A
kitchen; a cafe; a dining room.
NOTE
This play features a nested play. This shouldn't be
confused with a frame-narration or a "play within a play." "An
Encounter" is simply to be performed during the mid-section of "Wait
and See" just as someone might change TV stations. That is, the entire story and plot change
mid-play, the audience begins watching another, and then changes back to catch
the end of the first.
SCENE 1
A kitchen and dining room.
Well-lighted.
Plain decor, neat, organized.
Dining table empty.
Enter CHARLIE and VIV.
CHARLIE: I'm starved.
VIV: Can I fix you something?
CHARLIE: You know you
can't.
VIV: Well what do you want?
CHARLIE: And I can't
either. That's not the point.
VIV: [Leaning against the kitchen counter.]
Well I don't know what to tell you. Unless you choose something, or pick
something up, you'll just be hungry.
CHARLIE: I am sick of picking up things.
VIV: Well, I'll get it.
CHARLIE: That's not what I mean.
VIV: That's not what you mean.
CHARLIE: I wonder.
VIV: We can go somewhere to eat, instead of
picking something up.
[Pause. CHARLIE ruminating.]
CHARLIE: Why don't—
[Silence.]
VIV: Why don't what?
CHARLIE: We have so much
food.
VIV: Don't. Not again.
CHARLIE: Why couldn't we?
VIV: WHY? Why couldn't we? How many reasons do you want?
CHARLIE: But I'm starved!
Surely this time—
VIV: [Interrupting.] Nothing will
change! It never does. It's not inevitable! Sometimes things just don't change.
And so you accommodate that.
[CHARLIE goes to the cupboards. He
starts taking cans of food down and setting them on the counter.]
We aren't having all that.
[CHARLIE continues to pull things
out. Shuts cupboard doors. Goes to refrigerator, opens door, begins pulling out
food. Opens freezer door. Pulls out a frozen chicken. VIV folds arms,
stares at him. He throws the chicken in the microwave.]
You can't cook a chicken in a
microwave.
[VIV follows, closes fridge and
freezer doors.]
CHARLIE: I'm thawing it. And yes I could cook it in
there if I wanted to. But I don't.
VIV: So you are thawing it.
CHARLIE: Yes, like you thaw anything frozen if you want
it done well.
VIV: [Closing her eyes and sighing.]
Fine. [Softening.] If you are
going to do it, you'll need a hand.
CHARLIE: You?
VIV: [Hurt.] Who else?
CHARLIE: What are you going to do?
VIV: I don't know. Hand you the stuff.
CHARLIE: [He looks at her skeptically. Realizes her
sincerity and relents.] Alright.
[Microwave goes off. He pulls the
chicken out.]
VIV: Everyone raves about your cooking,
Charlie. I always wondered why we didn't cook more often.
CHARLIE: And then you remember.
VIV: No, I mean why couldn't we have people
over more often?
CHARLIE: I suppose we could.
VIV: Yeah?
CHARLIE: Not tonight, though. It's ours.
VIV: Oh.
CHARLIE: Besides, having people over would get
expensive. And what would they be good for? Staring at us while we don't eat?
Or while we eat carryout?
VIV: Well—
CHARLIE: Could you hand me the poultry seasoning?
VIV: Where is it?
CHARLIE: I don't know.
VIV: Do you think it's in the cupboard?
CHARLIE: Check.
VIV: Which one?
CHARLIE: It doesn't
matter.
VIV: [Searching the cabinets.] How long do you think
this will take?
CHARLIE: We've got potatoes, beans, corn, baked bread,
chicken, gravy—what else?
VIV: [Still tending to the cabinets.]
Spinach? [Pulling out the poultry seasoning.] Poultry seasoning!
CHARLIE: What?
VIV: Found it.
CHARLIE: Oh.
[Takes it, sprinkles some on the
chicken and hands it back to her.]
It'll be a few hours.
VIV: So I have time then?
CHARLIE: Time for what?
VIV: Nothing. Just having it.
CHARLIE: Oh.
Lights down.
Quick set change.
SCENE 2
AN ENCOUNTER
(after Ionesco)
Lights up again.
Dim.
The kitchen is no
longer visible.
The former dining
room is now a cafe.
MARTINA is seated
at the table. She is drinking a
coffee, reading a
book. She is mid-twenties.
MARTIN, mid-twenties,
suited, enters.
MARTIN: Excuse me, but have we met?
MARTINA: [Eyes still on book.] Usually
people just ask if this seat is taken.
MARTIN: Well—
MARTINA: [Eyes still on book.] But apparently
I've misjudged my attractiveness.
MARTIN: Misjudged?
MARTINA: [Puts down book, looks up at MARTIN.]
Either you are thoroughly interested in me, which is somewhat peculiar,
especially this early in our relationship—
MARTIN: Relationship?
MARTINA: —and that type of zealousness makes me
nervous. Or, you are the type who genuinely feels as if you have met me before
and are completely uninterested in me but will not rest until you figure out
who I am.
MARTIN: Ah.
MARTINA: In any event, either I am much more attractive
than I thought and so am attracting more seriously perverse men than ever, or I
am less attractive and merely a cause of memory-lapse-based irritation.
[Pause. MARTIN perplexed.]
So which am I?
[Pause.]
MARTIN: I just thought you were someone I met.
MARTINA: Fine then. I don't recall so.
MARTIN: But you are—
MARTINA: [Looking up quickly at MARTIN.] Yes?
MARTIN: You are attractive.
MARTINA: [Softening. Smiles.] Thank you.
[MARTIN begins to exit.]
Come to think of it...
[MARTIN stops but doesn't turn back
toward MARTINA.]
...You seem familiar. What is your
name?
MARTIN: [Turning around to her.] Martin.
MARTINA: How odd.
MARTIN: [Perplexed.] I'm sorry?
MARTINA: My name is Martina. I just thought that was
odd, is all.
[Pause.]
This seat isn't taken.
MARTIN: [Walks to chair, places his hands on the
back of it, but does not sit.] I'm sorry, but have we met?
MARTINA: Hard to say, really, when you live in a city
this large — when you live in any city, really.
MARTIN: So we haven't?
MARTINA: I didn't say that. Of course, we might have.
On the bus here, this afternoon.
MARTIN: I drove.
MARTINA: What kind of car?
MARTIN: Chrysler.
MARTINA: Really?
MARTIN: Yeah.
MARTINA: Me too. What model?
MARTIN: Cirrus.
MARTINA: No! Really?
MARTIN: [Smiling at her.] Yes. Why?
MARTINA: That's what I was in this morning.
MARTIN: Oh.
MARTINA: Have we met before?
MARTIN: I thought so.
MARTINA: I would have remembered. I remember everything.
MARTIN: Yeah?
MARTINA: Mine is a '99.
MARTIN: Mine too.
MARTINA: Mine is full of boxes.
MARTIN: Mine too.
MARTINA: Just moved into town a week ago. Unpacking
lots of new stuff in my house.
MARTIN: Me too!
MARTINA: Are you kidding?
MARTIN: Honest.
MARTINA: You just moved here?
MARTIN: With my dog and wife.
MARTINA: Oh.
MARTIN: Over on Coldenfield Road.
MARTINA: Coldenfield!
MARTIN: Yeah.
MARTINA: COLDENFIELD!
MARTIN: Yes.
MARTINA: You are joking.
MARTIN: No.
MARTINA: You are joking! [MARTIN shakes his head.]
Well that's amazing. I live on Coldenfield, and I just moved in a week ago with
my dog and husband.
MARTIN: That's amazing.
MARTINA: We just got married.
MARTIN: Me too.
MARTINA: What was your name again?
MARTIN: Martin.
MARTINA: No! Really? Are you kidding?
MARTIN: Really. Not kidding.
MARTINA: That's my husband's name.
MARTIN: You know, I wasn't going to say anything, but
my wife's name is Martina.
MARTINA: This is so odd.
MARTIN: Yeah.
MARTINA: Have we met?
MARTIN: I get the feeling we have.
MARTINA: And your house number?
MARTIN: [And MARTINA simultaneously.]
9107! The dog's name is Duke!
MARTINA: We must have met before!
MARTIN: We must have!
MARTINA: Martin!
MARTIN: Martina!
MARTINA: Married in England?
MARTIN: London!
MARTINA: London!
MARTIN: Met in college?
MARTINA: Anthropology!
MARTIN: Yes!
MARTINA: Wrote our own vows.
MARTIN: A speech on sharing memories.
MARTINA: Sharing memories.
MARTIN: We have met.
MARTINA: I'm sure of it.
MARTIN: Drove here in the same car.
MARTINA: Moved into the same house.
MARTIN: Have the same dog.
MARTINA: Duke.
MARTIN: Fell in love.
MARTINA: Madly.
MARTIN: Deeply.
MARTINA: [Standing up.] Do you want to get out
of here?
MARTIN: Yes.
Back to Coldenfield.
MARTINA: Lovely.
MARTIN: Question.
MARTINA: Yes?
MARTIN: Do we have any children?
MARTINA: I don't know.
MARTIN: Oh. I
guess I'll wait and see.
MARTINA: Yes.
Wait and see.
Lights down.
Set change.
SCENE 3
Lights up again.
Former kitchen and
dining set of VIV
and CHARLIE
returns. Both in
dining room. VIV
is setting the table
and CHARLIE is carving the chicken
and placing pieces
on the provided
plates. The feast is abundant.
CHARLIE: I'm starved.
VIV: Well, here we are.
CHARLIE: Is there anything else?
VIV: No, this is it. This is everything.
[VIV kisses CHARLIE on the
cheek and he pulls out her chair. She sits. He goes to his chair and sits.]
CHARLIE: [Eagerly.] What first?
VIV: [Shakes her head, excited, smiling.]
I don't know.
CHARLIE: [Forking up a piece of chicken.] Well—[He
puts it up to his mouth. Hesitates. Smiles nervously at VIV. He smells
it. He licks his lips. Hesitates. Frustrated. Opens his mouth. He is trying to
eat, but can't will himself to take a bite. He puts down the fork.] I
can't!
VIV: [Sympathetic.] Dear.
[Pause. Shakes her head
sorrowfully.]
I'm sorry.
CHARLIE: [Rubbing his forehead.] You try.
VIV: [Spoons a bit of corn. Glances at CHARLIE.
Hesitates. Licks lips. Opens mouth. Hesitates. Hand begins to shake and corn
spills from the spoon. She tries to shovel what she drops in her plate. Her
hands continue to shake. She slams down the spoon.] I can't! [Pause.]
I'm sorry, Charlie. I'm sorry.
CHARLIE: What is the matter with us?
VIV: I don't know.
CHARLIE: I'm starved.
VIV: I know. Me too.
CHARLIE: And I can't eat a bite.
VIV: Me too.
CHARLIE: It tastes great, I bet.
VIV: Everyone loves it.
CHARLIE: But it'll just sit there. [Pause.] And
go to waste.
VIV: What's the matter with us?
CHARLIE: I don't know.
VIV: I bet it tastes great.
CHARLIE: You want to go pick something up? [Reaches
into his pocket to pull out some money. Tosses a few dollars onto the table.]
VIV: You want something?
CHARLIE: [Sighs. Looks over the table at all
the food.] Actually. Maybe I'm not too hungry.
VIV: [Disappointedly.] Me neither.
CHARLIE: I could call the Martins over for dinner.
VIV: They love your cooking.
CHARLIE: Yeah, they seemed to like the last chicken I
made.
VIV: I love you, Charlie.
CHARLIE: I love you.
VIV: We'll just say we made it but then decided
to pick something up.
CHARLIE: That is what happened.
VIV: And they always loved your cooking.
CHARLIE: Yeah. Yeah they did.
VIV: And still do.
CHARLIE: And still do.
THE END.