Oregon
Literary
Review
Vol. 2, No. 2

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Deleana Otherbull
THREE POEMS


 

 

THE BODY’S INFATUATION

 

His cinched eyelash

is my muse. The spasm

of his hair flutters

across the small of my cheek.

He smells of sweat and urine.

I pull him closer

and lick the strenuous salt

away from his forehead.

Oh, God, how I love this.

I elaborate my small teeth

into the lines of his hands

passionately resting the world’s head

into my lap.

I could never be a mother.

He draws circles and squares

into the thinning sunset

with the oval tip

of his tongue

It’s the same one that runs along my thigh.

But the lines grow deep

trailing his chin into his mouth.

My body pulses into his touch

as it has done before.

Beauty never dies with him.

The grave they dug

still holds the body

I never let go of.

He stands there, in the dusts of rain.

The stench of his smell still luring me.

 

 

 

 

 

THE READER

 

he writes

with circular strokes:

buttons swell into poetic translations

delivering sermons across the line

of a maimed robe.

 

fragility is the difference

between digging the hole and filling it.

he paints

charcoal into the loops of my back:

illustrating lavender ashes

across a surging canvas.

 

we used wafers as sponges

(sheets as curtains)

while we rubbed the brown from the skirts of our bellies.

when it was over

he aspirated into lilies

coughing the color of oil into his palates.

 

 

 

 

 

THE TRUE ENEMIES OF POETS

 

Sometimes, I like to visualize the calligraphy

of my written words, words

that have tolerated my late nights and disloyal syntaxes.

These words, these conniving fragmented words,

are the same words that use me

consistently.

 

But I must tell you that each time

I try to saunter away from their manipulations

they cleave to me as if I were the voice

who never spoke them aloud or as if

I was the one, clumsy, on a half torn

piece of paper.

 

But in the end, it’s always them standing there,

in the doorway of greatness, half naked and inflamed

by the stubbornness of my humility.

And me, poor me with no words, always pleading for them

To drop me a line or two.

 

But on good days, I watch them induce

the burnish on a coat of ink. At the end of the day

I always make sure to wipe my page clean

and carefully soak my punctuation.

And this, oh, this violated, desecrated piece of paper

will chafe the ink from my letters away

and get up and walk smoothly

back to my printer.