Oregon
Literary
Review
Vol. 2, No. 2

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Phoebe C. Rusch
FIVE POEMS


The Pentecostal

 

Elevator's stuck. You jab buttons

but the doors stay shut.

"Goddamit!" you say.

I wince, wet my lips

with the question.

"Have you been saved?"

But I save it. Got to find a way

to work it in.

 

Like a specialist

waiting for the chance

to broach rare b-sides

or the anatomy of aphids.

The wetting of the lips,

the cough, like gearing for a dive

only to break my spine

on the bottom of watch-checking,

toe-tapping boredom.

But once I start talking, can't stop,

anymore than I could rewind

in midair.

 

There's so much I want to tell you.

Like that poor blessed soul

who wants to share

the tiny universe he sees

in the body of a bug.

I want to tell you

about glossolalia

and the day God's gun

shot me through the heart

but I didn't die.

 

When I was seven

and heard my daddy say

glossolalia I thought

of great big flowers

unfurling, hands opening

to heaven. Later he explained.

Glossolalia was when the holy ghost

came into a man's mouth

and danced on his tongue.

 

I want to tell you about the day,

the day, the glorious day

when the spirit blessed me

with a tango, a waltz,

a cha cha, a samba,

a roof raising fox trot!

I want you to understand

what it felt like

when I was baptized in the spirit,

when I could walk up walls

and suspend from ceilings

and my soul wasn't cargo

in a dark hold

but one with the red clay

of creation.

 

But I don't have words.

I wish we could talk in colors

and shapes and what we saw

in an apple's skin was the same.

When I spoke in tongues

that day, that day,

that glorious day

I was the eternal apple one

and same through time

essence of cloud

immutable water vapor

indisputable beating heart!

The whole world

was a drum circle

in agreement.

 

"Have you been saved?"

There. I've asked it.

And now I see

judgment come down

hard behind your eyes.

 

"Don't preach to me," you say.

"We all need the Christ love," I say.

"We all have different ways to pray," you say.

I wish that what we thought of

when we thought the color blue was the same.

"Just five minutes," I say.

"Fuck off," you say,

and press the emergency button ten times.

 

Listen, I want to say,

do you think I pleasure myself this way?

Every soul I see is another one slipped

to hell. Not just the hell we go to

when we die but a hell

of seconds unspoken, unshared,

of half-words choking on their way

up throats. Of souls that never know

the red clay of creation, forever cargo

in a dark hold. Caught in particulars

of pear and plum and pink,

praying in their different ways.

 

Every car that passes

is one I should be chasing.

Every telemarketer that calls

is a soul I should be saving.

Every cynic, every skeptic,

every hand pulls at me

at night in bed till I can't sleep or breathe,

my sheets become the River Styx,

I drown.

 

Listen for just a second

while the doors are still stuck.

I am gasping in this elevator

for the love of you

while you press buttons.

Noone except Jesus

not even your mother

has ever loved you this much.

 

 

 

 

Stockholm Syndrome

 

I was not treated cruelly.

This may be difficult for you to understand:

the kindness of a glass of water

or a crust of bread,

the way a blindfold heightens the senses,

brings intimacy with the texture of a fingertip

or the rasp of approaching steps, marrying you

like a bridal veil.

I don't mean to call my captors good men.

They were capable of evil, and they were boys.

When they let me see, I wanted to cry

not for my impending death

but for their dirt-faced ruddiness.

One of them had been trying to grow a beard

for months and couldn't; he had nothing

but wisps on his thin chin.

You want me to say they were monsters

because it would be simpler

to shudder at other people's savagery

on the 7 o'clock news. I'd rather tell them

how the wispy chinned boy used to talk to me

when the others weren't watching,